The conservative restoration of Giuseppe Penone’s work “In limine” is almost completed, carried out in 2011 by the De Fornaris Foundation on the occasion of the 150th anniversary of the Unification of Italy and inaugurated on April 18 of that year by the President of the Italian Republic Giorgio Napolitano.

After being admired in the Milanese exhibition “Romanticism”, the beautiful “Portrait of Massimo d’Azeglio (Portrait of a Man)” from 1835, purchased in 2016 by the De Fornaris Foundation, returned home. Long considered a “Self-portrait” of the same artist and writer, after extensive research it turned out to be a painting

The digitization of the Archival Fund of the architect Mario Passanti (Rosario de Santa Fé, 1901 - Turin 1975), acquired by the De Fornaris Foundation in 1992, has recently been completed. It includes drawings, manuscripts, projects, photographs, plates, negatives, albums , sketches, for a total of over 15,000 elements. The

Two paintings by Francesco Tabusso - "The old chestnut tree", oil on canvas from 1956, and "Imaginary allegory without joy legs in the air" or "Imaginary allegory" or "Allegory", oil on panel from 1966 - have entered recently part of the collections of the De Fornaris Foundation. They belong to

E' partito per la Cina il “nostro” “Paesaggio”, olio su tela di Giorgio Morandi realizzato intorno al 1942. E’ stato richiesto dal Modern Art Museum di Shanghai per la mostra “De Chirico and Morandi”, che inaugurerà il 16 giugno (fino al 15 settembre). “Paesaggio” (FD 28) è una delle numerose

Monumental Complex of St. Francis in Cuneo hosts since May 27 “I do not love nature. Italian Pop Art from the collections of Gam – Torino “. The exhibition, sponsored by the deputy director of Gam Riccardo Passoni, is realized in collaboration with the Fondazione Cassa di Risparmio di Cuneo,

The works of Carol Rama of the Fondazione De Fornaris are on the road. “Seductions” (1985) and two versions of “Passionate” (1940) are now available at New York Museum of Contemporary Art , where a retrospective of the Turin artist disappeared in 2015 (until September 10) was inaugurated on 3

Finally, the lime tree has grown, the third element of “In limine”, the work of Giuseppe Penone placed underway by Galileo Ferraris in front of the Gam. The tree should reach with its thin branches the ones in bronze that overlook it: only then will it be that bow imagined