Port Arthur (Texas), 1925 – Captiva Island (Florida), 2008

His neo-Dadaist period in the 1950's was a free association of images and objects fixed to canvas (Combine-Paintings, Silk-Screens). He subsequently embraced pop art, becoming one of the key figures, and devoting attention to images from contemporary visual culture reproduced in screen prints and assembled or overlapped, with the interference of a variety of different elements.

His neo-Dadaist period in the 1950's was a free association of images and objects fixed to canvas (Combine-Paintings, Silk-Screens). He subsequently embraced pop art, becoming one of the key figures, and devoting attention to images from contemporary visual culture reproduced in screen prints and assembled or overlapped, with the interference of a variety of different elements.